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You also get complete media management, organization and timeline management tools. The cut page is perfect for projects with tight deadlines that you have to turn around quickly. Features such as source tape, dual timelines, fast review, and smart editing tools help you work faster than ever.

The sync bin and source overwrite tools are the fastest way to edit multicam programs, making it easy to create perfectly synchronized cut aways! Everything on the cut page is action based so every click does something.

Plus, the scalable interface is great for portable editing! The Fusion page lets you create cinematic visual effects and broadcast quality motion graphics right inside of DaVinci Resolve! Fusion features a node based workflow that makes it faster and easier to create sophisticated effects and animations than you could ever create using a layer based approach.

You get hundreds of 2D and 3D tools for visual effects and motion graphics, along with advanced animation curve and keyframe editors that allow you to create incredibly organic and realistic animations. Fusion has everything from point, planar and 3D camera tracking to rotoscope and keying tool for creating photorealistic composites, stunning animated titles, 3D particle systems and more! The Fairlight page features hundreds of pro tools for audio post production.

The incredible new Fairlight Audio Core lets you work with up to 2, tracks at a time with realtime effects, EQ, and dynamics processing!

You can mix and master stereo, 5. The media and delivery pages have everything you need to import, manage and deliver final projects. While you can import and organize footage into bins on both the cut and edit pages, the media page gives you a dedicated full screen workspace so you can focus on preparing footage, syncing clips, organizing footage into bins and adding metadata before you start editing.

The media page also lets you clone camera media cards for backup purposes. The quick export tool lets you output and upload files to YouTube, Vimeo and Twitter from anywhere in the software, but the deliver page gives you total control over all encoding options and formats, along with a render queue for exporting multiple jobs! Version 17 adds 11 new plugins for texture pop, detail recovery, creating video collages, 3D keyer, HSL keyer, luma keyer, smear, motion trails, noise reduction, image transforms and false color.

The video collage plug-in is perfect for picture in picture zoom style videos, virtual choirs and more! All Resolve FX can be animated using the new unified inspector on the cut, edit and Fusion pages! The DaVinci Neural Engine provides simple tools to solve complex, repetitive and time consuming problems. For example, it enables facial recognition to sort and organize clips into bins based on people in the shot, to reframe shots and more.

You can extend DaVinci Resolve with third party Open FX and audio plug-ins, or add third party title and motion graphics templates. New workflow integration and encoding APIs let developers integrate workflow and asset management systems with DaVinci Resolve.

DaVinci Resolve is the only solution that lets you grow and build your own multi user post production studio! Everything is managed by a powerful multi user database and universal timeline so editors, colorists, VFX artists, animators and sound engineers can all work together. Best of all, you no longer have to import and export files, translate projects, lose work, or conform and manage changes. DaVinci Resolve is the only application in the world that lets everyone work together in parallel on the same project and at the same time!

The DaVinci Speed Editor features dedicated edit function keys on the left and a high quality search dial with electronic clutch and transport controls on the right. You can use the search dial and source tape buttons with your right hand to locate shots, while simultaneously marking in and out points, performing edits and live trimming with your left hand. All without touching the mouse! DaVinci Resolve color panels let you adjust multiple parameters at once so you can create unique looks that are impossible with a mouse and keyboard.

The incredibly small DaVinci Resolve Micro Panel is great for new colorists just getting started or anyone that needs a portable panel. It features three high quality trackballs, knobs for primary adjustment controls and buttons for playback and navigation.

The DaVinci Resolve Mini Panel features additional controls and screens for accessing virtually all palettes and tools. For the ultimate in control, the DaVinci Resolve Advanced Panel gives high end professional colorists access to every single feature and command mapped to a specific button!

Designed in collaboration with professional sound engineers, Fairlight hardware consoles streamline your workflow, acting as a natural extension of the software. The intuitive, task based design adapts automatically, putting the controls you need right at your fingertips when you need them. That means you'll spend more time being creative and work faster than using just a mouse and keyboard! DaVinci Resolve is designed to inspire creativity so you can focus on doing your best work.

Once you learn the software and start using it for more work, you can purchase DaVinci Resolve Studio which adds tons of additional effects, 3D and more. Adding an editor keyboard, color control panel, or audio console lets you work even faster because you can use both hands at the same time, allowing you to be more creative and do things that are impossible with a mouse!

Free Download Now. Includes large search dial in a design that includes only the specific keys needed for editing. Includes Bluetooth with battery for wireless use so it's more portable than a full sized keyboard! Featuring a metal search dial with clutch, plus extra edit, trim and timecode keys. Can be installed inset for flush mounting. Low profile panel features 3 high resolution trackballs and 12 precision machined knobs to access the primary color correction tools.

Includes buttons for common features and workspace navigation. This model includes the features of the micro panel model plus two LCDs with menus and buttons for switching tools, adding color corrector nodes, applying secondary grades and using Power Windows. Designed in collaboration with professional Hollywood colorists, the DaVinci Resolve Advanced Panel features a massive number of controls for direct access to every DaVinci color correction feature.

Portable audio control surface includes 12 premium touch sensitive flying faders, channel LCDs for advanced processing, automation and transport controls plus HDMI for an external graphics display. Get incredibly fast audio editing for sound engineers working on tight deadlines! Includes LCD screen, touch sensitive control knobs, built in search dial and full keyboard with multi function keys.

Used by Hollywood and broadcast, Fairlight consoles make it possible to mix large projects with a massive number of channels and tracks. Modular design allows customizing 2, 3, 4, or 5 bay consoles!

Complete Fairlight studio console with 1 channel fader, 1 channel control, 1 audio editor, 2 LCD monitors and 2 bay chassis. Complete Fairlight studio console with 2 channel faders, 2 channel controls, 1 audio editor, 3 LCD monitors and 3 bay chassis. Complete Fairlight studio console with 3 channel faders, 3 channel controls, 1 audio editor, 4 LCD monitors and 4 bay chassis. Complete Fairlight studio console with 4 channel faders, 4 channel controls, 1 audio editor, 5 LCD monitors and 5 bay chassis.

The edit page also includes dozens of transitions, effects and titles that make it easy to create professional work for broadcast television, feature films and online streaming! Getting files into DaVinci Resolve is as easy as dragging and dropping! The media pool at the top left of the screen contains all of the clips in your project.

To get started, simply find the files you want to import on your hard drive, drag them into the media pool and start editing. You can even drag entire folders with subfolders into the media pool and maintain their structure. DaVinci Resolve is designed to work with virtually all professional video and audio file formats ranging from H.

Marking clips using "in" and "out" points lets you refine the portion of the clip you want to use in the edit. Double click a clip to load it into the source viewer on the left. Drag the playhead to the frame you want, then click the in and out buttons at the bottom right corner of the viewer to mark the start and end points of the clip.

You can also use the I and O keyboard shortcuts for a faster workflow. Audio and video can be marked separately to create split edits where the audio starts before or after the video. You can drag and drop clips directly into the timeline or the timeline viewer on the right, where you will see an overlay with editing options.

The edit overlay gives you instant access to the most popular types of edits, letting you quickly choose between insert, overwrite, replace, fit to fill, place on top, append at end, and ripple overwrite without having to remember shortcut commands.

Inserts a clip into the timeline at the location of the playhead and pushes everything else down to make room for it. If the playhead is in the middle of a clip, it will split the clip and place the new clip in the middle. The overwrite edit is one of the most common types of edits. When you perform an overwrite, it will place a new clip on the timeline at the location of the playhead, writing over whatever clip or clips were there before. Replaces a single clip on the timeline with one of the exact same length.

The "out" point of the clip you are editing into the timeline will be changed so it fits perfectly, making it the same duration as the one it replaces. Fit to fill takes the portion of the clip that you have marked and adds a speed change to speed it up or slow it down.

The speed change is automatically calculated so it fits into the space you have selected on the timeline. The place on top command puts the clip you are adding to the timeline on the next available video track at the location of the playhead. Place on top is great for adding titles, graphics or creating picture in picture effects. Append at end places the source clip after the last edit on your timeline, regardless of where the playhead is located.

You can also use it to add multiple clips from the media pool to the end of your timeline all at once! Ripple overwrite replaces a shot of one length with a shot of a different length.

Longer clips replace the clip in the timeline and push everything down to make room, while shorter clips pull things in so there are no gaps. Trimming lets you adjust the timing between clips so you can fine tune your edit.

The smart trim tool automatically switches between ripple, roll, slip and slide based on the location of the mouse pointer. Select the trim icon in the toolbar, then click anywhere inside a clip or at the edge of a clip on the timeline.

This is known as context sensitive trimming. You can trim during live playback, hear audio while trimming and even trim multiple points on different tracks at the same time!

A roll trim works on both the left and right sides of an edit at the same time. While one side is shortened, the other side is extended by the same number of frames so the overall length of your timeline remains the same. Rippling will extend or shorten the beginning or end of a clip. Slipping changes the portion of a clip that you see in the timeline by moving its "in" and "out" points.

The white outline shows the full source clip duration, so you can fine tune it without affecting the surrounding edit. The clips on the left and right get shorter or longer as you slide the clip in the middle. You can think of a slide like a roll between 3 clips. The effects library has extensive broadcast quality transitions and special effects plug-ins.

Simply click the effects library icon at the top left of the page to open it, select the effect you want and drag it onto a clip in the timeline or onto the cut point between clips when adding transitions. Transition duration can be changed by dragging the edges of the transition in the timeline or by changing it in the inspector at the top right. The effects library features over 30 different transitions such as wipes and dissolves, along with over 65 GPU and CPU accelerated effects, including blurs, flares, warps and more!

To create 2D or 3D titles, open the effects library at the top left of the screen, find the text generator or Fusion title template you want, and drag it into the timeline above your video tracks. Then use the inspector to type your text and adjust parameters such as font, size, color and more. The basic title generators let you build simple titles and lower thirds from scratch.

The subtitle generator can be used to create perfectly timed subtitles. There are also dozens of Fusion title templates, which are professionally designed, pre-built 2D and 3D animated titles that you can customize to create professional looking cinematic titles without having to be a motion graphics expert!

Clip settings can be viewed in the inspector at the top right of the screen. Simply select a clip to see its parameters, adjust a setting, click the keyframe button, move the playhead to a different frame and repeat the process! You can also use the on screen controls to animate common transform parameters such as position, size and rotation.

For even more control, click on the small keyframe and curve icons on the animated clips in the timeline to open the keyframe and curve editors.

These will allow you to move keyframes, adjust timing and set animation ease controls for virtually all parameters. The edit page features a complete set of professional Fairlight audio controls and plug-ins. You can set levels in the timeline by clicking on the level bar in the middle of an audio clip. The inspector features a level slider too, along with controls for panning, pitch and a full 4 band parametric equalizer.

The mixer has visual meters that let you monitor signal levels, ensuring the audio is not too quiet or loud. There are also over 20 Fairlight FX in the effects library that you can use to clean up dialog, remove hum and more.

Plus you can switch to the Fairlight page at any time for even more options! The Quick Export option is the fastest way to deliver a file. To output your program, go to the file menu and select Quick Export for one click access to the most popular delivery options.

If you enter your account information, quick export will render and upload the finished video to your YouTube, Vimeo or frame. You can also create your own custom presets that will show up in the quick export window. Simply switch to the Deliver page, adjust your settings, and save it as a new preset! DaVinci Resolve can deliver files in a wide range of formats for the web, television broadcast, online streaming and even digital cinema packages for theatrical distribution.

Once you have mastered the basics, you will find that the edit page features an incredibly rich set of features that give you total creative control over every aspect of your work! You will be able to mix and master your soundtrack, add speed ramps, work with advanced editing and trimming tools for more sophisticated projects, use facial recognition to organize clips based on different characters, create picture in picture effects, work with multi cam footage, and so much more!

Plus, DaVinci Resolve works with just about every type of video and audio file, and gives you a variety of different ways to manage your footage, which is especially useful when you are working on larger projects. The retime control command lets you create fast or slow motion footage from any clip. Variable speed changes, or speed ramps, allow the playback speed to change over time. For example, an action clip may start at normal speed, ramp down to slow motion for a few seconds, and then speed back up.

You can create speed ramps in the timeline using the graphical curve editor for both frame position and playback speed. Simply move frames to any point in time and adjust the speed between them! Control the quality of the retimed footage by choosing between optical flow, frame blending and nearest frame rendering.

DaVinci Resolve Studio has advanced speed warp for incredibly fluid, crystal clear quality! You can create picture in picture effects using the on screen controls in the viewer or by adjusting clip transformation settings in the inspector. The on screen controls can be enabled in the pop up menu at the bottom left of the timeline viewer. Just stack two clips in the timeline, select the one on top, and use the on screen controls to resize and reposition the clip anywhere in the frame.

You can animate the effect by clicking the diamond keyframe button in the inspector, moving the playhead and then changing the position, rotation or scale of the clip.

You can even drag a drop shadow from the effects library onto the clip in the timeline to make the picture in picture stand out! Dynamic zoom is an incredibly easy and fast way to reframe and add gentle push in or pull out animations to any shot. Dynamic zoom is ideal for adding extra drama and interest to shots which would otherwise be just static. Just select a clip in the timeline, then turn on dynamic zoom in the inspector.

When you have selected the clip, green and red boxes will appear in the viewer over your image. The green box shows where the shot will be framed at the beginning of the clip and the red box shows where it will be framed at the end. Simply drag and resize the boxes to your desired start and end positions, then press play!

The inspector features built in stabilization and lens correction controls for every clip in the timeline. The edit page uses image warping and translation to smooth out or even lock down unwanted camera motion in a clip, while preserving the motion of individual objects in the frame.

These let you determine how much stabilization you want to apply. For example, you might just want to remove a camera bump or two, naturally reduce the slight shakiness often found in handheld shots, or lock it down entirely so it looks like a static shot.

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